Julius Caesar Questionnaire

Act I 1. What do the last 4 lines of scene I recommend about the status of the individuals under Caesar’s rule? 2. â€Å"Foreshadowing† is the method of setting up a peruser or crowd for something to happen later in the story. â€Å"Beware the Ides of March† is a case of such a method. Would you be able to think about what occasion might be foreshadowed by the Soothsayer’s admonitions in scene II? (I, 21) 3. Quite a bit of scene II is offered over to Cassius’s addresses to Brutus, attempting to convince him that he should control as opposed to Caesar. Given this reality, what was the motivation behind scene I? 4. Does Brutus reveal to Cassius why he has been feeling â€Å"passions of some difference† generally? (II, 45) Could they identify with his affections for Caesar as ruler? 5. Cassius reveals to Brutus that â€Å"many† wished Brutus saw himself the manner in which they do. For what reason is it significant that he reveals to Brut us that such individuals are â€Å"groaning underneath this age’s yoke†? (II, 66) What does that mean? 6. I don't get Cassius' meaning when he depicts his job for Brutus as â€Å"your glass†? (II, 73) 7. What do you think Brutus implies when he tells his companion that his recommendation might be significant â€Å"if it be nothing toward the general good†? II, 91) 8. How does â€Å"lov[ing] respect more than [fearing] death† (II, 95) identify with Brutus’s turning out to be above all else? 9. For what reason does Brutus disclose to Cassius the anecdote about Caesar and himself, swimming the Tiber River and dreading for their lives? 10. Sum up the significance and purpose of Cassius’s discourse to Brutus in lines II, 144-167. 11. What is Caesar’s mentality toward Cassius (II, 205-219)? 12. After what you have caught wind of Caesar during his standard, do you accept he was authentic in his craving to decline the crown of lord, or not? (II, 269 ff. ) Why? 13. Give proof from scene II to clarify why Cassius is plotting to topple Caesar. 14. â€Å"So each bondman in his own hand bears the ability to drop his imprisonment. † Explain Casca’s explanation with regards to the Romans’ developing feelings of trepidation of Caesar’s â€Å"monstrosity†. (III, 106-107) 15. To what in particular does Cassius credit Caesar’s feeling that his forces be worked out? (III, 110-111) 16. What â€Å"enterprise† is Cassius alluding to in lines III, 129-136? 17. Casca and Cassius trust Brutus will change once he is in power. How would they portray this change? (III, 161-167). Act II 1. Sum up, in a sentence or two, Brutus’s discourse on pp. 21-22. Alsoâ€has Brutus chose to align himself with Cassius and attempt to topple Caesar? 2. Do you think Brutus and Cassius have adequate grounds to topple Caesar, despite the fact that a lot of their fear is by all accounts dependent on hunches instead of Caesar’s awful deeds? Why? 3. What are Brutus’s most profound emotions about his arrangement to kill Caesar? (pp. 23-24) 4. â€Å"Oh, that we at that point could drop by (impact) Caesar’s soul/And not dismantle Caesar! Be that as it may, too bad,/Caesar must seep for it! Brutus despite everything has second thoughts about the homicide. Why, at that point, must Caesar still â€Å"bleed for† his abuseâ€or potential abuseâ€of power? (I, 178-180) 5. For what reason do you think Caesar has developed â€Å"superstitious of late†? (I, 208) 6. Do you think Brutus is misleading his better half, Portia, when he discloses to her he is â€Å"not well in health†? (I, 272) 7. Calpurnia reveals to her significant other, Caesar, â€Å"When hobos pass on, there are no comets seen; the sky themselves blast forward the demise of sovereigns. † Explain concerning Caesar’s rule of Rome. (II, 31-32) 8. Caesar says, â€Å"Cowards bite the dust ordinarily before their demises; the valiant taste of death however once. † Explain. (II, 33-34) [Note: This line is one of Shakespeare’s generally renowned. ] 9. For what reason is it critical that Caesar lets one know of his killers, Decius, â€Å"I love you†? (II, 78) [Note the play on Decius’s name: To kick the bucket is to become â€Å"deceased†. ] 10. Do you think the plotters are propelled by â€Å"emulation† (envy) as Artemidorus says they seem to be? Why or why not? (III, 14) 11. To whom does the Soothsayer owe loyalty? Why, do you think? (III, 32) Act III 1. â€Å"Et tu (you, as well? ), Brute? At that point fall, Caesar! † says Caesar, passing on. What do his withering words state about Caesar’s respect for Brutus’s supposition? Might he have implied something else by the inquiry, do you think? (scene I, line 84) 2. â€Å"Ambition’s obligation is paid. † Explain the significance of this announcement, articulated by Brutus on Caesar’s destruction. (I, 90) 3. Lines III, 121-123 demonstrated judicious under 150 years after Shakespeare’s demise with the rebellion of the British during the English Revolution against their ruler, Charles I, and his homicide on January 30, 1649. To what other verifiable occasions does Caesar’s murder relate? . Sum up Antony’s assessments toward Caesar after the homicide is submitted? (Counsel both III, 217-224 and III, 275-296 for this inquiry. ) 5. For what reason does Antony get to know Brutus, Cassius, and different plotters? (III, 235) 6. When is â€Å"death† a reasonable di scipline for â€Å"ambition†? (III, 29) 7. â€Å"I have done no more to Caesar than you will do to Brutus,† says Brutus in his memorial service discourse. Disclose concerning question 1, above. (III, 36-37) Does Brutus hope to be killed, as well? (III, 45-47) 8. â€Å"And Brutus is a noteworthy man,† is the abstain of Mark Antony’s renowned tribute f Caesar on page 56. Given his communicated love for the fallen pioneer, this abstain passes on Antony’s outrage at the killers through ironyâ€saying one thing however meaning something a remarkable inverse. Be that as it may, Antony concedes, believably, that he â€Å"does not know† the entire story of Caesar’s supposed â€Å"ambition† and in this way leaves himselfâ€and Brutus and the conspiratorsâ€the choice to praise the lethal demonstration once he knows more. Work on saying this unpredictable address so anyone might hear and attempt to give this hold back an expression that passes on Antony’s antagonistic vibe. . Seeing that he has gotten under the skin of the group to bloodthirstyness, Antony’s mockery turns smooth; when, at III, 225, he repeats that the schemers â€Å"are savvy and honorable†, he appears to mean it and desires the individuals to listen cautiously to the reasons given by the plotters for the homicide. What was Antony’s genuine reason in the tribute? Did he accomplish it or not, given the way that the group does, truth be told, head out to execute Brutus? Act IV 1. What is the topical importance of Portia’s demise? That is, the reason do you think the writer thought it simply that the lead backstabber and usurper, Brutus, ought to lose his better half because of his having taken part in the scheme? (II, III) 2. â€Å"There is a tide in the issues of men which, taken at the flood, leads on to fortune; overlooked, all an incredible journey is bound in shallows and torments. † [This is another of Shakespeare’s most celebrated lines. ] Explain the importance and hugeness of this announcement to the war between the armies of Antony and Brutus by alluding to III, 250-252. . Sum up, in a sentence or two, Act IV’s significance to the play. Act V 1. â€Å"O Julius Caesar! Thou workmanship compelling yet. Thy soul strolls abroad and turns our blades in our own legitimate guts. † What truth about wars may this discourse by Brutus be said to recognize? (III, 101-102) 2. What occasion does this discourse (â€Å"O Julius Caesar †¦Ã¢â‚¬ ) forecast? (V, 57) 3. Imprint Antonyà ¢â‚¬â„¢s discourse builds up, for the last time, that Brutus’s aims were fair, and his truthfulness in working for a definitive decent of the Roman individuals authentic. What, at that point, does Octavius mean when he proposes that the triumphant powers of Antony â€Å"use† his memory by organizing a â€Å"respectful† entombment? What criticalness may such a memorial service have for the Roman state? (V, 82-83) 4. Since you have perused the play completely, choose for yourself whether Shakespeare accepted that the homicide of Caesar was to the greatest advantage of the Roman individuals? To respond to this inquiry, ponder the realities of the play: who lives? (were their demonstrations just? ), who bites the dust? (were their demonstrations vile? , and how do the discourses related with their demises shed light in transit â€Å"God† (on account of an invented story, the writer himself) would pass judgment on them and their activities? 5. Since Brutus himself is said to have been â€Å"the noblest Roman of all† (V, 74), for what reason do you think Shakespeare murders him off before the play’s end? That is, is Shakes peare passing on any message, good or down to earth, by murdering him off? [Remember: The peruser must expect that nothing in such a play is incorporated coincidentally. ]

E-Commerce Advances in Marketing

Question: Web advertising incorporates all the online exercises a business conducts by means of the overall web with the point of drawing in new business, holding current business and building up its image character with expanded piece of the overall industry. As a recently selected SEO Graduate at BP Global, you are required to examine how Internet showcase division can be utilized as a promoting way to deal with target potential clients. distinguish how the eight components of the plan of action can be utilized as a limited time technique to fortify BP Brand inside the Oil and Gas industry. Answer: Presentation The present oil and gas industry has gotten a lot of unpredictable and thinking about the dynamic business condition. It isn't just basic for todays oil and gas organizations to concentrate on offering unmistakable items and administrations to clients, yet in addition to showcase their items in a one of a kind way. This report is essentially focussed at exploring the utilization of web advertise division as a promoting approach for BP Global to target potential clients. What's more, the report likewise subtleties out the utilization of eight components of the plan of action as a special technique for fortifying the BP brand in the Oil and Gas industry. Discoveries and Analysis Utilization of Internet Market Segmentation as a Marketing Approach to Target Potential Customers Web showcase division is an ideal gathering of corporate or potential private purchasers and it is fundamentally a straightforward gathering of web clients that a business focus to accomplish its market objectives. At the end of the day, it is a procedure of separating the entire market into various gatherings of individuals who have comparable requirements. In such manner, the productive market division that BP Global can use may incorporate geographic division, segment division, psychographic division and conduct division in which the area is of prime significance (Robinson, 2014). Consequently, it is enthusiastically suggested that BP worldwide ought to disperse its web clients topographically with the principle plan to target potential clients. Aside from this, segment division incorporates the factors like age, sex, sexual orientation occupation, training and numerous different angles while psychographic division is set of variables like comparative mentalities, ways of life and qualities. What's more, conduct division utilizes events and level of dependability (Charlesworth, 2014). The above division market can help BP Global to partition its clients based on age, comparable perspectives, preferences, aversions and sex. This would assist with focusing on specific clients who are needing such items and can improve the piece of the pie of BP with no sort of trouble. Then again, a portion of the web advertising techniques which BP Global can use so as to target potential clients may include: Email advertising: BP can keep in contact with its clients through messages as clients can mail the organization during their prerequisite of oil or gas so administrations can be given to them on schedule (Weaver, 2013). Internet based life advertising: This is perhaps the best stage as it causes an association to keep up solid connection among itself and its crowd. This makes the clients to believe an association and this stage can speak to BP as a genuine and straightforward organization among its clients. For example, with the assistance of Twitter, oil and gas callings can without much of a stretch track industry discussions and stay on showcase patterns with the viable utilization of hash labels. Website design enhancement (Search Engine Optimization): Search motor streamlining is one of the most savvy approaches to pull in enormous number of clients towards the administrations of an organization. it is apparent that unpaid web search tools normally get up to 70% of clients clicks. Subsequently, BP Global can improve its piece of the overall industry by refreshing the substance normally and promoting the site with some pertinent industry data. This would pull in most extreme number of clients so as to utilize the administrations of organization (Weaver, 2013). Advanced Presence: it is likewise productive to guarantee the successful promoting methodology of BP Global as organization can furnish standard data to its clients with the assistance of this ideal stage. Additionally, organization can illuminate about its customary and changing approaches with the assistance of computerized advertising (Bowen, 2014). Incredible Animation: A task portrayal through a powerful video or a fly-through video is a magnificent case of how organizations in the oil and gas industry, for example, BP Global can give its buyers a more profound information and comprehension of their work. Utilization of Eight Elements of the Business Model as a Promotional Strategy to Reinforce BP Brand inside the Oil and Gas Industry Incentive: This component of the plan of action is worried about characterizing how the items or administrations of BP Global will satisfy the necessities of clients. So as to utilize it as a limited time procedure, it is basic that BP Global ought to consider that just focusing and clarifying about the extraordinary highlights of its items won't be sufficient to recognize the brand in the serious Oil and Gas Industry (Slaughter, Bean and Mittal, 2015). It is imperative that BP Global ought to underline the general understanding of utilizing its items. The organization should make it express to clients that all its brands has its own legacy and character and how all the brands speak to, embody or offer colossal vitality to its clients (Hassan, 2012). Income Model: In request to fortify the brand, BP Global can utilize deals income model, in which items are sold online to offer accommodation to clients. The organization can at first offer certain shopper items online to show signs of improvement fascination of buyers in the oil and gas industry. To win incomes from this mode, it is necessitated that the organization keep the costs of its items progressively serious. Market Opportunity: The ongoing oil and gas showcase is administered by universal monetary strife, forceful rivalry, and brain desensitizing value changes because of which to tap advertise openings, it is fundamental for BP Global to be in adjusting its plans of action. The OG scene is unmistakably reshaped by an incredible developing pattern, for example the loathsomeness of environmental change and a strong exertion to trim down CO2 emanations just as to diminish non-renewable energy sources (Pwc, 2016). In this way, to be a main brand, BP needs to make important strides for a supportable business and work effectively in a profoundly carbon-compelled world. In such manner, BP ought to reevaluate its business technique with the goal that the organization can be pulled together towards an economical situation. Serious Environment: The serious condition of BP Global is profoundly exceptional due to the nearness of solid contenders like, Exxon Mobil Corporation, Royal Dutch Shell Plc and Chevron Corporation. These contenders have similarly enormous business activities like BP. The income of Exxon in 2014 was $364.8 billion, while Shells was $419.4 billion and BPs was $353.57 billion (Agnihotri, 2015). This infers these organizations are generally productive and hence, give ferocious rivalry to BP Global. Hence, for fortifying its image, BP needs to advertise its items in an extraordinary and unmistakable way, the organization needs to embrace web promoting mediums and it should value its items all the more seriously to be the main oil and gas organization. Upper hand: BP Global can prevail upon its rivals by presenting an unrivaled item at lower cost than its rivals. The greater part of the organizations which are associated with oil and gas industry are centered around creating approaches to use computerized innovations and information examination so as to change the entire business. BP can take the principal mover advantage by refreshing the data and information of organization carefully all the time (Hana, 2013). Market Strategy: the preeminent point of any oil and gas organization is to remain dependable and safe constantly and BP Global likewise runs on a similar standard to keep every one of its tasks protected and solid. In setting to this, the organization can work to guarantee serious undertaking execution with the fundamental plan to convey extends proficiently and securely (Ferrell and Hartline, 2013). Authoritative Development: BP worldwide for the most part plans to work securely and keeping up a harmony between capital control and quality execution so as to convey an incentive to its clients. Additionally, it makes a point to satisfy its representatives and fulfill them with borders, workplace and different advantages. The authoritative structure of BP Global is extremely solid and work successfully as it bargains in exchange gaseous petrol, melted flammable gas power and other petroleum gas fluids which needs total management to maintain a strategic distance from further dangers Supervisory crew: The supervisory crew of BP Global is extremely productive in which Bob Dudley is the primary Group Chief Executive and he has been working here since the year 2009 and he turned into the gathering CEO in the year 2010. Then again, Dr Brian Gilvary is the Chief Financial Officer of organization who satisfies his obligations consummately. He has been working for the organization since the year 1986. This shows the supervisory group of BP is extremely powerful and functions admirably for the government assistance of organization. End To finish up it has been referenced that the above report has proposed successful web showcasing systems and utilization of web advertise division for BP Global. It has been talked about that the organization can utilize email showcasing, web-based social networking promoting, SEO, amazing liveliness, and so forth for focusing on potential clients. The conversation in the report has additionally clarified the utilization of eight components of the plan of action for reinforcing the BP Global brand in its division. References Agnihotri, G. 2015. A Closer Look At The Worlds 5 Biggest Oil Companies. [Online]. Accessible at: https://oilprice.com/Energy/Crude-Oil/A-Closer-Look-At-The-Worlds-5-Biggest-Oi

Communism :: Communism Essays

The draw of simple ladies nearly made me a government operative and double crosser to my nation "Sex Lead Me To Communism" from Man to Man Vol. 2, No. 2, 1951 SEX, lady's most resistless weapon through the ages for the control of the male, has demonstrated one of the best and guileful gadgets in the mystery arms stockpile of the Communists to select their offensive armed force of spies, saboteurs and disruptionists in the horridly proclaimed war on the United States and all not too bad humanity. In the persevering exertion of the Kremlin to transform the entire world into anonymous slaves all together that "The International Soviet will be the human race," as their official tune, The Internationale, proclaims, there is no respect or heart, and wantonness is the standard, not the exemption. The main bad habit the Reds glare, upon is drinking! I know, since I was one of those stupid people who fell into the mantrap set by the cutting edge Delilabs who follow the Party line. They remained determined - literally nothing - so as to enroll their kindred Americans into the incredible connivance to oppress, and later to exchange, each person who doesn't worship the unholy trinity of Marx, Lenin and Stalin. First came Sonia, with her full, cherry lips and her earthy colored, limpid eyes. She was a secretary, an alum of a lady's school and as corrupt a little witch as ever shook her gripped clench hand at a passing banner of her nation or stuck a pin into a patrolman's pony. Next came Margie, a full-bosomed redhead, another comer from England and a specialist dress fashioner. She had made it her all consuming purpose to draw men into Communism. At that point Mildred, a nectar blonde with a Vassar degree. She was the gay and advanced sort on a superficial level, yet underneath she was destructive genuine about her extreme convictions. She had a comfortable condo and apparently a lot of cash. She got a kick out of the chance to talk about the social essentialness of Shakespeare over mixed drinks and make changes over to the "cause." At that point Terry, Betty and a few others whose names I have overlooked. Furthermore, in conclusion, Gladys, a financier's little girl who had fled from home, arrived in New York's Greenwich Village and become the most radical of all the Communist young ladies I met. Discussion about free love! This was truly something. You worn out on one, and there was constantly another available to your no matter what. No Turk could flaunt an increasingly variegated group of concubines.

The Oresteia Nets, Deception, and Dehumanization - Literature Essay Samples

In Aeschylus’ The Oresteia, the motif of nets reoccurs throughout each play–each occurrence having its own meaning. The motif of nets is seen around seventeen times in the Oresteia, thus creating the assumption that all seventeen mentions of â€Å"nets† hold the same definition or value. Although the motif carries a negative connotation in each occurrence because of its ties to deception and manipulation, there is deeper meaning attached to each mention of the motif in The Agamemnon, Libation Bearers, and The Eumenides which symbolizes a greater empowerment for women. Throughout the three plays, nets symbolize several facets of entanglement and deception, both concepts which seem to be gendered as womanly characteristics; however the motif is also used to conceptualize the inevitable grasp of fate while also developing a symbolic and animalistic dynamic between the hunter and the prey–thus provoking the idea that the motif symbolizes an underlying attempt to subvert male dominance in Greek society. In all three plays, there are instances where the motif of nets is solely used to symbolize the deception and entanglement of men. In lines 1489-1492 of Agamemnon, the chorus sings â€Å"O king, my king, how shall I weep for you? What can I say out of my heart of pity? Caught in this spider’s web you lie.† Regarding the themes of deception and entanglement, the web and net motifs are used interchangeably. By using the word â€Å"web,† the action of entrapping Agamemnon is viewed as feminine since most female spiders spin webs. The sense of deception and manipulation is gendered, identifying women as the arbitrators of men’s tragic fate. This concept is reinforced in line 1015 of the Libation Bearers when Orestes says â€Å"Now I can stand to mourn and speak before this web that killed my father.† Here, Orestes implies that the web is his mother, Clytemnestra, thus assigning a female gender to the motif. These webs and nets are a tool of entrapmentâ €“symbolizing authority over, in this case, men. In line 506 of Libation Bearers, Orestes suggests that a fisherman’s net drowns from the weight of the soaked up water. Here, Orestes implies that nets are heavy and difficult to break out of, symbolizing women’s grasp on men in The Oresteia. In line 460 of The Eumenides, Orestes says â€Å"It was my mother of the dark heart, who entangled him in intricate nets and cut him down.† By mentioning both his mother and the â€Å"intricate nets,† Orestes is stating that his mother, through deception and manipulation, was able to entrap Agamemnon and overpower him. The phrase â€Å"cut him down† displays a power dynamic in which the woman is dominant. The traditional power dynamic is further modified through the use of the net motif in all three plays. The net motif is also used to juxtapose the assumed gender roles in Greek Culture. By using the net motif to describe the entrapped individual as an animal or beast, the perpetrator is taking a position of dominance in this animalistic dynamic between hunter and prey. The hunter–usually being a man–is now a woman, Clytemnestra. In Line 492 of Libation Bearers, Orestes and Electra say â€Å"Think of the casting net that they contrived for you / They caught you like a beast in toils no bronzesmith made.† Here, Electra and Orestes are intentionally angering the dead spirit of Agamemnon by reminding him of his death at the hand of his wife. By comparing Agamemnon to a beast who was caught by a net, the motif creates an image of a hunter trapping its prey. Clytemnestra has caught her prey, thus subverting the initial assumptions about the female gender. The same power dynamic rooted in the net motif is reinforced in Lines 997-1000 of the â€Å"Libation Bearers† when Orestes says â€Å"what shall I call it and be right, in all eloquence? Trap for an animal or winding sheet for a dead man? Or bath curtain? Since it is a net, robe you could call it, to entangle a man’s feet.† Here, Orestes is describing the tool used by his mother to kill his own father; however, he ascribes several descriptions to the tool. Orestes mentions how the net, or robe, is a trap for an animal–the animal being his father. Again, the traditional power dynamic between the genders is confused because of the opposite gender roles for the hunter and prey. By using the net motif in order to complicate the traditional power dynamic between genders, Clytemnestra is displayed as an authoritative woman who is able to cut down a man like a hunter traps its prey. The use of nets to symbolize a new power dynamic is also displayed in The Eumenides. In line 110, Clytemnestra says â€Å"Now I watch all these honors trampled into the ground, and he is out and gone away like a hunted fawn so lightly, from the very middle of your nets.† Here, Clytemnestra is talking about The Furies, who are all women. Clytemnestra is urging The Furies to go after Orestes, their prey. The nets, in this case, are not being used in the context of Clytemnestra’s deception, but instead, are being used to describe this female relationship to the hunter-prey dynamic. Orestes is described as a hunted fawn–symbolizing his weakness and juvenile actions. In line 146 of The Eumenides, the chorus says â€Å"The hunted beast has slipped clean from our nets and gone. Sleep defeated me, and I lost my prey.† By identifying the women as the hunters or entrappers and the males as the prey, the net motif allows women to subvert the presumed authority of men . The net motif is primarily ascribed to authoritative women. The net motif in The Oresteia not only displays how women utilized deception and manipulation in order to entrap men but also displayed how women were able to attain a position of authority through this new hunter-prey dynamic. The uses of the words â€Å"web† and â€Å"net† may hold negative connotations when ascribing the words to specifically women; however, in a time where women were usually treated as wartime gifts, the women in these three plays did what had to be done in order to modify the male-dominant dynamic present in Greek culture. The net motif can be compared to Machiavelli’s statement â€Å"It is better to be feared than to be loved.† Clytemnestra hunted down her prey–choosing to be feared as a dominant woman rather than loved. The fact that The Oresteia displays such dominant woman figures, provokes the question of whether or not the Greek audience–composed of mostly men–were perceiving these women through a misogynist ic lens or if the author of these plays purposely introduced these articulate women to express their discomfort in the traditional power dynamic.

Mirabai Bhakti Saint, Devotional Poet, Mystic, Rani

Mirabai, a 16th century Indian royal, is known  more through legend than verifiable historic fact. The following biography is an attempt to report those facts of Mirabais life which are commonly accepted. Mirabai was known for her songs of devotion to Krishna and for forsaking traditional womens roles to devote life to Krishna-worship.  She was a Bhakti saint, poet and mystic, and also a  Rani  or princess. She lived from about 1498 to about 1545.  Her name has also been translated as Mira Bai, Meerabai, Meera Bai, Meera, or MÄ «rÄ bÄ Ã„ «, and she is sometimes given the honorific of  Mirabai Devi.   Heritage and Early Life Mirabais Rajputi grandfather, Rao Dudaj, created the fortress city of Merta, where Mirabais father, Ratan Singh, ruled. Mirabai was born in Merta  in the Kudki district of Pali, Rajasthan, India,  about 1498. The family worshipped Vishnu as their primary deity. Her mother died when Mirabai was about four, and Mirabai was raised and educated by her grandparents. Music was stressed in her education. At an early age, Mirabai became attached to an idol of Krishna, given to her (legend says) by a traveling beggar. Arranged Marriage At age 13 or 18 (sources vary), Mirabai was married to a Ranjputi prince of Mewar. Her new in-laws were upset with the time she spent at Krishnas temple. On the advise by letter of the poet Tulsidas, she left her husband and his family. Her husband died only a few years later. Unconventional Widow His family was shocked that Mirabai  did not commit sati, burning herself alive on her husbands funeral pyre, as was considered proper for a Rajputi princess (rani). Then they were further shocked when she refused to remain secluded as a widow and to worship his familys deity, the goddess Durga or Kali. Instead of following these traditional norms for a widowed Rajputi princess, Mirabai took up enthusiastic worship of Krishna as part of the Bhakti movement. She identified herself as the spouse of Krishna. Like many in the Bhakti movement, she ignored gender, class, caste, and religious boundaries, and spent time caring for the poor. Mirabais father and father-in-law were both killed as a result of a battle to turn away invading Muslims. Her practice of Bhakti worship horrified her in-laws and the new ruler of Mewar. The legends tell of multiple attempts on her life by Mirabais late husbands family. In all of these attempts, she miraculously survived: a poisonous snake, a poisoned drink, and drowning. Bhakti Worship Mirabai returned to her home city of Merta, but her family also opposed her turning from traditional religious practices to the new Bhaki worship of Krishnu. She later joined a religious community in Vrindaban, a place holy to Krishnu. Mirabais contribution to the Bhakti movement was primarily in her music: she wrote hundreds of songs and initiated a mode of singing the songs, a raga. About 200-400 songs are accepted by scholars as being written by Mirabai; another 800-1000 have been attributed to her. Mirabai did not credit herself as the author of the songs — as an expression of selflessness — so her authorship is uncertain. The songs were preserved orally, not written down until long after their composition, which complicates the task of assigning authorship. Mirabais songs express her love and devotion to Krishna, almost always as Krishnas wife. The songs speak of both the joy and the pain of love. Metaphorically, Mirabai points to the longing of the personal self, atman, to be one with the universal self, or paramatma, which is a poets representation of Krishna. Mirabai wrote her songs in Rajasthani and Braj Bhasa languages, and they were translated into Hindi and Gujarati. After some years of wandering, Mirabai died at Dwarka, another place sacred to Krishna. Legacy Mirabais willingness to sacrifice family respect and traditional gender, family, and caste restrictions, and to devote herself completely and enthusiastically to Krishna, made her an important role model in a religious movement that stressed ecstatic devotion and that rejected traditional divisions based on sex, class, caste, and creed. Mirabai was a loyal wife according to her peoples tradition only in the sense that she devoted herself to her chosen spouse, Krishna, giving to him the loyalty she would not give to her earthly spouse, the Rajput prince. Religion: Hindu: Bhakti movement Quotes (in translation): â€Å"I came for the sake of love-devotion; seeing the world, I wept.† O Krishna, did You ever rightly value my childhood love? â€Å"The Great Dancer is my husband, rain washes off all the other colors.†Ã‚   I danced before my Giridhara. / Again and again I dance / To please that discerning critic, / And put His former love to the test. I have felt the swaying of the elephants shoulders; / and now you want me to climb / on a jackass? Try to be serious.

Term Paper Catch Me If You Can - 3330 Words

|Catch Me If You can! | |Frank Abagnale Jr. – The Almost Perfect Bank Fraud | |Identity Theft Bank Fraud Analyzed | | Abstract Frank Abagnale Jr. was one of the most successful and prolific imposters and bank fraud criminals of our time. Here we will explore the how, why†¦show more content†¦Albrecht, Albrecht, Albrecht, and Zimbelman (2009) emphasized that identity theft can have devastating consequences for its victims One could say he was impersonating a role not a specific individual, so who exactly was he harming? Well frankly, Frank was harming the organizations he defrauded, those who placed trust in him, the authorities, and truly anyone who â€Å"trusted† him in his official capacity he was portraying. I do not believe Frank Abagnale Jr. set out to intentionally harm his victims. However he did hurt many people in his frauds of identity theft and impersonations for personal gain. Some would say that Frank Jr’s crimes should have been caught onto sooner by the organizations he defrauded and by the authorities. Organizations could have taken steps to prevent Frank Abagnale Jr.’s identity frauds. A few folks did question documents and/or credentials that Frank Jr. presented but Frank Jr. would charm them into forgetting their questions or lack of confidence. When it came to young women and women in general Frank Jr. would make it about the girl and appeal to her feminine side to divert her attention from the business at hand. This of course worked easier with women but Frank Jr. was good at charming many people, men included. There a lot of things weren’t done that could have prevented Frank Jr’s impersonation/identity fraud crimes. For one, many of the institutions he defrauded did not strictly adhere toShow MoreRelatedAn Exploration of How the Designer Olivier Kuntzel and Florence Deygas Managed to Incorporate and Interpret the Narrative of ‘Catch Me If You Can’ Into Their Title Sequence1169 Words   |  5 PagesThe opening title sequence for the movie Catch Me If You Can, designed by Olivier Kuntzel and Florence Deygas, establishes the era, style and tone of the movie’s narrative by its eye catching use of retro inspired graphics and a finger snapping jazz theme tune. I chose this title sequence to illustrate my answer to the above question because while it embodied the basic narrative of the film – the ongoing cat and mouse chase between the conman (Frank Abagnale Jr) and the FBI agent (Carl Hanratty)Read MoreNotes Books : An Important Part Of Society1290 Words   |  6 Pagesyears. Reading paper books has been a tradition for many years. 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Quick History Of Art Essay Paper Example For Students

Quick History Of Art Essay Paper Word Count: 1002Before the portrayal of the human body can be critiqued,you must understand the artists culture. As man evolvedover centuries, his views of the body also transformed. Ourtour definitely showed the drastic changes in differentcultures art. Each culture and era presents very distinctcharacteristics. Through time and experimentation, we haveexpressed our views of the human body clearly with ourart. Egyptians were the first people to make a large impacton the world of art. Egyptians needed art for their religiousbeliefs more than decoration or self- gratification. The mostimportant aspect of Egyptian life is the ka, the part of thehuman spirit that lives on after death. The ka needed aphysical place to occupy or it would disappear. Most ofthe important men of Egypt paid to have their body carvedout of stone. That was were the spirit would live after theman dies. They used stone because it was the strongestmaterial they could find. Longevity was very important. Thebodies a re always idealized and clothed. Figures are veryrigid, close-fisted, and are built on a vertical axis to showthat the person is grand or intimidating. Most of the figureswere seen in the same: profile of the legs, frontal view ofthe torso, and profile of the head. Like most civilizations,Egyptians put a lot of faith in gods. The sky god Horus, abird, is found in a great amount ! of Egyptian art. Littlerecognition was ever given to the artists. The emphasis wason the patron. Early Greek art was greatly influenced bythe Egyptians. Geography permitted both cultures toexchange their talents. The beginning of Greek art ismarked by the Geometric phase. The most common artduring the Geometric phase was vase painting. After thevase was formed but before it was painted, the artistapplied a slip (dark pigment) to outside. Then the vase wasfired and the artist would incise his decorations into thehard shell. It was important to incise humans into the firedslip and not paint with slip. The peo ple in the picturesneeded light colored skin, which was the color beneath theslip, because Greeks wanted to make their art as realisticas possible. Much like Egyptian art, the Greeks idealizedthe bodies of the people in their works. As the ArchaicPeriod evolved, Greek sculptures were almost identical tothe Egyptians. Unlike Egyptians, the Greeks refined theirtechniques. Greeks used marble to construct theirsculptures. It was considered more valuable and beautifulthan any material available. They softened the lines of thebody. Greek sculptors slowly perfected every contour inthe human figure. Greek people viewed the human body assomething beautiful and so they depicted nude men. Women were eventually nude but only when there was areason, they needed to be bathing or something where theywould be naked. They people that are sculpted are alwaysyoung and their bodies are still idealized. The Greeksinvented contrapposto, the relaxed natural stance of asculpture. A figure that is standing in contrappostobecomes a sculpture in the round, meaning that theemphasis is not only on a frontal view but also from allangles. The Hellenistic Period emerged as the Romansbegan to produce some of the finest art in history. This newrevolutionary style was incredible. Figures werent confinedto the unnatural or boring positions they had for centuries. All body parts were in perfect proportion. These statuescame alive as their limbs reached out into space. Vacantstares evolved into human emotions, which were easilyrecognized on their faces. I think this renaissance portrayedthe way people were thinking. They were exploringphilosophy, religion, and politics. This was a time forrebirth. Christian art was introduced during the middle ofthe second century. In many cases the only differencebetween Christian art and Hellenistic art is the religioussubject matter. After a slow start the Christians introducedsomething new, the mosaic. Mosaics became a favoritemedium for decorating churches. Man was viewed inreligious scenes due to the spread of Christianity. Byzantineand medieval art was very representative. The artists abilityto produce lifelike figures had regressed. The emphasis wasnot on man anymore. Their art was made to glorify God. .u930c1f1c40e8d3763134990c8bf97ea4 , .u930c1f1c40e8d3763134990c8bf97ea4 .postImageUrl , .u930c1f1c40e8d3763134990c8bf97ea4 .centered-text-area { min-height: 80px; position: relative; } .u930c1f1c40e8d3763134990c8bf97ea4 , .u930c1f1c40e8d3763134990c8bf97ea4:hover , .u930c1f1c40e8d3763134990c8bf97ea4:visited , .u930c1f1c40e8d3763134990c8bf97ea4:active { border:0!important; } .u930c1f1c40e8d3763134990c8bf97ea4 .clearfix:after { content: ""; display: table; clear: both; } .u930c1f1c40e8d3763134990c8bf97ea4 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u930c1f1c40e8d3763134990c8bf97ea4:active , .u930c1f1c40e8d3763134990c8bf97ea4:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u930c1f1c40e8d3763134990c8bf97ea4 .centered-text-area { width: 100%; position: relative ; } .u930c1f1c40e8d3763134990c8bf97ea4 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u930c1f1c40e8d3763134990c8bf97ea4 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u930c1f1c40e8d3763134990c8bf97ea4 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u930c1f1c40e8d3763134990c8bf97ea4:hover .ctaButton { background-color: #34495E!important; } .u930c1f1c40e8d3763134990c8bf97ea4 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u930c1f1c40e8d3763134990c8bf97ea4 .u930c1f1c40e8d3763134990c8bf97ea4-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u930c1f1c40e8d3763134990c8bf97ea4:after { content: ""; display: block; clear: both; } READ: Ripoff EssayThe fifteenth century marked the arrival of the Renaissance. Artists have finally recaptured the amazing detail andrealism that the Greeks and Romans perfected. Artistspushed the limits with new exciting mediums and brightcolors. Filippo Brunelleschi, allowed artists to determinethe relative size of each figure by inventing the vanishingpoint perspective. With that tool it was possible to puteverything in perfect proportion. Humans were not alwaysidealized as they were in earlier centuries. Many elderlypeople are found in the paintings. Neoclassical paintingscommonly showed contemporary garments and scenes. History painting became very popular. A larger transitionwas made when color was used to set a mood or expressinner feelings. Nothing like this had ever been considered. Man viewed his experiences as important stepping stones. To assure that experiences arent forgotten they werepreserved in artworks. Humans are often used in modernart. Although the people may appear very large orimportant, they are usually just vehicles used to convey amessage to the audience. In Segals Red Light, we saw aman walking alone in front of n old truck. The man was notcolored at all. He seemed to be sauntering across a streetat night. A feeling of depression or sadness surrounds theman. The human is not important but the emotion is. Mostof the modern art uses the human body to portray a feelingor emotion. Rarely will you find any new art that displays ahumans because they extraordinary. Romantic landscapingis incredible. The idea of most of these pieces is to showhow insignificant man is. Before humans were always thecenter of attention but now here they are almost trivial. Artists like Thomas Cole show us what is pure and simple. The paintings use a lot of color to create very natural,unaffected scenes. It seems that we come upon theselandscapes almost by accident. They depict ideal settingsthat are unscathed by the injustices of the world. In myopinion, the beauty of these works is unsurpassed by anyother art. Through the ages each culture had its owninterpretation of what the human body means. I have brieflyexplained a few of the broadest views of the human body. In order to explain one in great detail would take volumes. I thoroughly enjoyed Monas tour of the museum and Ihope to see her there again.